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   » » Wiki: Tuning Mechanisms For Stringed Instruments
Tag Wiki 'Tuning Mechanisms For Stringed Instruments'.
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A variety of methods are used to different stringed instruments. Most change the pitch produced when the string is played by adjusting the tension of the .

A tuning peg in a pegbox is perhaps the most common system. A peg has a grip or knob on it to allow it to be turned. A tuning pin is a tuning peg with a detachable grip, called a . The socket on the tuning lever fits over the pin and allows it to be turned. Tuning pins are used on instruments where there is no space for a knob on each string, such as and

Turning the peg or pin tightens or loosens the string. Some tuning pegs and pins are tapered, some threaded. Some tuning pegs are ornamented with , metal, or plastic inlays, beads (pips) or rings.

Other tuning systems include screw-and-lever tuners, geared tuners, and the konso friction tuning system (using braided leather rings).


Pegbox or headstock
A pegbox is the part of certain stringed musical instruments (the : , , , ) that houses the tuning pegs. The corresponding part of the family (including , , , ) is called the .


Tapered pegs and pins
A tapered peg is simply a smooth peg with a string wound around it. The tension of the string is controlled by turning the peg, and the peg is held in place by friction in its hole (in contrast to , below).

A properly working peg will turn easily and hold reliably, that is, it will neither stick nor slip. Modern pegs for and have conical shafts, turned to a 1:30 taper, changing in diameter by 1 mm over a distance of 30 mm. Modern pegs have a slightly more aggressive 1:25 taper. 19th century and earlier pegs, for use with stretchier gut strings, typically had an even steeper taper of 1:20.

The taper allows the peg to turn more easily when pulled out slightly, and to hold firmly when pushed in while being turned. Since the typical wear pattern on a peg shaft interferes with this action, pegs occasionally require refitting, a specialized job which amounts to reshaping both pegs and holes to a smooth circular conical taper.

Tapered tuning pins are similar, but must be turned with a tuning tool, usually called a , tuning lever, or tuning wrench. Historically, pins were also tapered (see image of bone peg, right), but they are now generally threaded, instead (see below).

tuning peg, not yet shaved to fit an instrument. Note smooth taper and finger grip.]]
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for turning the pins of a , , , 201 BC to 221 AD.]]
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Use
Tapered pegs are a simple, ancient design, common in many musical traditions.

Tapered pegs are common on classical Indian instruments such as the , the , and the , but some like the and often use modern tuning machines instead. Tapered pegs are also used on older European instruments, such as the Bulgarian and the , as well as on .

Among modern Western musical instruments, tapered pegs are most often used on instruments, though usually the uses tuning machines.


Peg dope
"Peg dope" (also peg paste, peg stick, peg compound) is a substance used to coat the bearing surfaces of the tapered tuning pegs of string instruments (mainly , , , and ). Manufactured varieties are generally sold in either a small stick (resembling ), a block, or as a liquid in a bottle. Commonly used home expedient treatments may include soap, , or .

Peg dope serves two different (and almost conflicting) purposes. It both lubricates the peg shaft so it turns easily in the pegbox and provides friction to keep the pegs from slipping with the force of tension. Tuning pegs that are well fitted and properly doped will both turn smoothly throughout an entire rotation and hold firmly wherever the player wishes.

Without the proper amount of friction to hold the peg in place, a tapered tuning peg will tend to "slip", making a tuning setting virtually impossible to maintain. String instruments with pegs that are slipping can be tuned briefly, but will be out of tune within minutes as soon as the peg slips again. With too much friction, adjusting the tuning at all is impossible. If the pegs or their holes are not perfectly round, or if the bearing surfaces of the pegs are indented from wear, peg dope will not remedy the resulting problems.


Threaded pegs and pins
Some pegs and pins are threaded with a shallow, fine thread. They are not tapered, but straight, and they go into straight-sided holes.

Like tapered pins, threaded pins must be set in a pin block of fairly hard wood, such as or , or they will not stay in tune well. Some pin block woods come from endangered trees. Some specialized plywoods can also be used (piano pin block stock or the die maker's ply used for ).

Threaded tuners are durable, will take very high string tensions. They do not push outwards on the hole and wedge the wood apart, which can reduce the risk of splitting it. They can be set in , which allows the wood to retain more strength for a given weight. They can, however, also be set in holes drilled right through the wood, to look like older pins. Threaded pins can be installed with an , and do not need to be re-set, but should be backed off a few turns when changing a string to keep pin height even. Replacing harp strings


Use
Tuning pins may be known as wrest pins or zither pins, regardless of the instrument on which they are used. They are used on instruments with many close strings, as they are more compact and cheaper. Modern pianos use threaded pins, as do many , , , , and other instruments.
must be turned with a .]]
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also carry pins rather than pegs.]]
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Screw-and-lever tuners
Fine tuners are used on the of some stringed instruments, as a supplement to the tapered pegs at the other end. Tapered pegs are harder to use to make small adjustments to pitch.

Fine tuners are not geared. They have a screw with a head, whose lower end advances against one end of a lever with a right-angle bend in it. The string is fastened to the other end of the lever, and tightening the screw tightens the string. With the screw at the lower limit of its travel, the lever can come close enough to the instrument's top to pose a risk of scarring it. To avoid damage to the top, the screw may be turned out as far as it goes while still engaging the lever, and the string re-tuned using the peg.

Fine tuners can buzz, and may cut strings if not filed smooth before use. They add weight and, when not built into the , reduce string afterlength. Fine tuners are common on cellos, but some violinists regard them as an aid for beginners who have not yet learned to tune precisely using pegs alone.


Geared tuners
Pegs for and family instruments are usually geared, and are called tuning machines or . They often use a . The gearing ratio varies; while higher ratios are more sensitive, they are also more difficult to manufacture precisely. Machine heads may be open, with exposed gears, or closed, with a casing around all the gears.

Geared pegs for instruments also exist, although they have not gained wide use, which has to do with the extensive and irreversible physical modification that must be made to the peg box in order to mount them, which is often viewed as ruining the aesthetics of the instrument, combined with a bad reputation they acquired due to poorly designed early models that were prone to failure, often with catastrophically damaging results.

The most recently marketed pegs of this sort use designed to fit inside a case shaped like a friction peg. They have seen some adoption as they look almost exactly like friction pegs, require no more modification of the instrument than a new set of friction pegs, and make fine tuners unnecessary. They are also durable and less sensitive to changes in temperature and humidity. They are popular on banjos.

File:Aid for Trade Global Review 2017 – Day 1 Sona Jobarteh tuning kora.jpg| tuning a kora with open File:Open-tuning-peg-guitar.JPG|An open , detached from the instrument File:Guitar string tunner.JPG|A closed , detached from the instrument File:Cambio corde- girare in avanti la meccanica.jpg|Tuning a guitar with closed machine heads File:Levin classical guitar - tuners (by Anders Ljungberg).jpg|Mounted open machine heads. Note slot in background where the strings are wound around the pin of the tuner. File:Acoustic guitar tuning pegs (14433071079).jpg|Close-up of the gearing of a mounted open machine head


Konso
The konso system is traditionally used on koras. It consists of braided leather rings that wrap around the neck of the instrument. The rings are pulled along the neck of the instrument to change string tension. It can be quick to adjust but requires a fair degree of strength.


Rong Kou
The 7-string Chinese uses braided cords or ( rongkou 『/绒扣』) as a tuning mechanism. At one end, the zither's strings are looped around stationary pegs ( fengzu 『鳳足』 "phoenix feet" or yanzu 『雁足』 "geese feet") at the underside of the instrument, across the nut ( longyin 『龍齦』 dragon gums) before they pass over the face of the instrument. On the tuning end of each string (near the right hand of the player, at the bridge), a butterfly fly knot ( shengtou jie 『/蝇头结』) is tied, and inserted through the loop end of a braided cord (traditionally made of silk due to its inelasticity) which passes through holes behind the bridge to the underside of the instrument. The Rong Kou cord is inserted through the centre of, and then twisted around, tuning pegs. When the strings are at tension, these pegs are held flush to the underside of the instrument in the peg pool ( zhen chi 『/轸池』). The pegs are then twisted individually by hand to achieve the desired tension for each string.


See also

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